Our Muse Is Electronic


Some posts may be NSFW/ 18+

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Simply put I’m an avid music listener, devotee, and follower. I love it so much that I decided to develop this blog dedicated to every musical artist and band that I enjoy.

I hope to enlighten any potential listeners that may be out there on some great music.

This also serves as a great way to put all of my musical ideals and thoughts out to the world. High hopes for your appreciation

Here is a link to some of my material. Like it or not:


If you're up for sharing musical ideas, or just wish to contact me feel free to send an email to (((((klrmuse@gmail.com))))) Cheers.

※A blog dedicated to all electronic music and anything else that might cross my mind in the realm of sound... Along with the occasional release here and there.※


Flylo chatted about his forthcoming 5th album, You’re Dead (out in October) which sees him working with the likes of Snoop, Kendrick Lamar and the legendary jazz musician Herbie Hancock. He even gave Gilles a world exclusive play of Moment of Hesitation, which features Herbie.

via SoundCloud / BBC6Music

When you find yourself in a rut, often this is generated by doing the same old thing over and over, and can lead to a form of hopelessness.

From the depth of the rut, the only thing you can see is the sky. There are no horizons or connecting landscapes, just the same walls, the same repeated actions forever.

Once you decide to make a change, to get out of the rut, there is often a cruel trick waiting for you. Just outside the rut is a mine field. you climb out of a rut just to have something blow up in your face, to which your typical first reaction is to jump right back in the rut.

This often corresponds with the first stage of acceptance: the thought that “this is crazy, I should give up now.” Dealing with the mine field and moving forward is a form of intentional (and potentially necessary) suffering, and is the price for the benefits to come. The good news is that beyond the mine field is the promised land.

Steve Turnidge

Aaliyah - One In A Million (A-Minor Remix)

Kilo Kish - IOU (TOKiMONSTA’s Runway Remix)


noystoise2014: IVAN

via si7


Tobacco Ultima II Massage via Ghostly International, May 13th

Ghostly International

On his third album, the Pennsylvania snake-synth-charmer deepens his approach to aural depravity. Ultima II Massage widens a jagged swath through the dude’s own weird catalog, each disparate track damaged to the point of contributing to some sort of greater, lurching Frankenstein-like state. “I spent a lot of time breaking it in all the right places,” says TOBACCO. “It ends up making the whole thing breathe — sometimes gasp for air. It feels more alive.” Immediately after finishing 2010’s Maniac Meat, he went to work on the beat-addled series begun with Fucked Up Friends in 2008. There were notable breaks en route to now — a surprising commission to remix White Zombie’s “Thunder Kiss ‘65,” a new BMSR record (Cobra Juicy), and producing Demon Queen’s Exorcise Tape with vocalist Zackey Force Funk — but he saved the worst for last, amassing the most misanthropic material for Ultima. To wit, SPIN dubbed early share “Lipstick Destroyer” a “junkyard takedown of Daft Punk’s beloved, pristine electro.”

TOBACCO explains his modified approach: ”I wanted to push each song just enough, so that even when the album’s at its wildest, it’s something you can zone out to. It feels like a definitive end to a concept I’ve been trying to perfect forever. Maniac Meat was linear. This time I wanted to do a lot of different things and have them come together as one meditative piece. At least for myself.”

Which, oddly enough, makes sense. This is easily TOBACCO’s most diverse set to date — his own Stereopathetic Soulmanure, but about that 1-900 hotline life: massage parlors, plasticized sleaze, fake tans, old dial-ups to the fan clubs of dead B-actors. Fittingly, the album’s only contributor is music director Brian LeBarton who shrieks as Notrabel on the grimy freak-out “Streaker.” At 17 tracks, Ultima is stacked with beautifully perverse hits — from the sickly sticky “Eruption,” to the wobbly demon swaggerer “Face Breakout,” to the distorted punk spazz of “Dipsmack,” to the apocalyptic sepia ambience of “Spitlord.” You may hear disembodied bits of Boards of Canada, early Def Jam records, and Gary Numan, or maybe just public-access TV and bad VHS dubs of ‘80s horror flicks. Or the sun exploding and everything you’ve ever loved melting. Again, TOBACCO was just trying to make meditation music.

But to find that rotted sweet spot, as always, he had to subvert his pop urges. TOBACCO went back to the cassette decks he started off with — analog weapons of distortion to compliment his hissing vocoder and blown rhythms. Any moment that felt “just right” was brutally assaulted until ugly again. All to accomplish one end: “This might be my most purposely difficult album yet, but I promise if you let it in, it can fuck you up.”

Ultima II Massage. No happy ending.

Tokyo Festival of Modular 2014 Poster Day 2 via MATRIXSYNTH


ナカコーに曲作りを見せてもらいました【サンレコ2014年5月号連動】 “『Koji Nakamuraインタビュー』関連企画レポート(サウンド&レコーディング・マガジ­ン2014年5月号)

Koji Nakamura名義で新作を4月30日に発表するナカコー。各曲にまつわる彼の独特­な視点は誌面インタビューを是非チェックしていただきたいが、その具体的な曲作りの方­法についてはなかなか言語化が難しいのとこ。ということで、”曲作りの初期段階”を実­演してもらうことで、彼がいつも行っている作業に迫ってみたい。映像でどうぞ!”


"(May issue 2014 Sound & Recording Magazine) ” Koji Nakamura Interview ‘related planning report

Nakako to be announced on April 30 a new name in the Koji Nakamura. Unique perspective of his I want you to come and check the magazine interview concerning each song, but the cousin of the difficult language of hard information about how the song making concrete. By having them demonstrate the ‘early stages of making the song’, with that, I want to just around the work he is doing at all times. Please in the video! “

Thom Yorke x Flying Lotus @ Low End Theory L.A. via Gorilla vs Bear

The Roots - ‘…and then you shoot your cousin’ Artwork & Release Date. May 20

Black Thought

“It’s another concept album in the spirit of undun. but it’s not just about just one kind of character, we create quite a few different characters in this record. It’s satire, but in that satire it’s an analysis of some of the stereotypes perpetuated in not only the hip-hop community, but in the community. I don’t know if that makes any sense.”

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